University of Alabama Football
Full-season sideline coverage, delivered the same night for social and cut again for print the next morning.
- Client
- University of Alabama
- Scope
- Sideline · 12 games
- Year
- 2024–25
Seven Spades Media ·
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Strategy & creative
I work with brands and programs on what their visuals actually need to achieve — then shoot the work that achieves it. One person from the brief to the delivered gallery, so the thinking and the execution never come apart.
What I do
We start with where the images are going and what they have to earn — a feed, a donation page, a storefront, a recruiting deck. The shot list comes out of that, not out of habit.
I shoot the plan myself, so nothing gets lost between the person who decided and the person holding the camera. Sport, brand, product and portrait work.
Presets, shot lists, crop sets and lighting setups handed over in writing, so your team can repeat the look without me on every job.
Selected work
This carousel mirrors the Work page — edit projects there and they update here.
Let's connect
Bring me a problem rather than a shot list, and we'll work out the shot list together. I answer every message myself.
Selected work
Each project opens on its own page with the full set.
No projects yet — use “+ Work folder”.
Full-season sideline coverage, delivered the same night for social and cut again for print the next morning.
Indoor match coverage under mixed arena light, shot for a fast social cadence through the conference run.
Club-season coverage built for a team running its own social accounts with no staff photographer.
Department-level work across multiple sports — one visual language applied to very different rooms and light.
Event and fundraising imagery for a nonprofit — frames that work on a donation page as well as on a feed.
Product and lookbook work for a local vintage brand, shot to drop straight into a storefront and a paid feed.
About
I'm Jack Hawkins. Seven Spades Media is me — I work with brands and programs around Alabama on what their visuals should be doing, then shoot the work that does it.
I started on the sidelines of games nobody was covering, which taught me the part most people skip: a photo only matters if it gets used. So I shoot for the destination. A program needs frames tonight; a brand needs them in three crops; a recruiter needs one that works at thumbnail size.
Working alone means the person who sets the strategy is the person holding the camera. Nothing gets lost in a handoff, and you always know who to call.
I'm building toward creative direction — the thinking behind the frame as much as the frame itself. That's why every project here starts with where the pictures are going.
Tell me what you're working on, roughly when, and what the images need to achieve. I answer every message myself, usually same day.
Edit text, photos and video previews on the page. When you're done, use Save & download to get the updated site file, then upload it to your host.
Drag to move, slide to zoom. What you see is what gets saved.
Two ways to do this. A file gets embedded in the page, which is fine for a short clip but makes the file big. A path is better: upload clip.mp4 next to your site and point at it here.
One or two lines on what this shoot was and what it was for.